By Harold Bloom
The prestige of Alice Walker as a interval author or everlasting determine in American literature is still a resource of discussion between critics. This quantity examines Walker's Meridian and the colour red, and incorporates a checklist of works via and in regards to the writer. This sequence is edited via Harold Bloom, Sterling Professor of the arts, Yale college; Henry W. and Albert A. Berg Professor of English, ny collage Graduate university; preeminent literary critic of our time. Titles contain designated plot summaries of the unconventional, extracts from scholarly serious essays at the novels, a whole bibliography of the writer's novels, and extra.
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Additional resources for Alice Walker, New Edition (Bloom's Modern Critical Views)
Because the novel is an assembly of incidents, fashioned in a circle, the poem must be placed at the beginning of the story, no matter where it is placed in the book. The congregation of witnesses see Meridian after her journey through the wilderness and their/ our souls “look back in wonder” at how she made it over. Her example is the teaching message she aspired to: go ye and do likewise. ” Her fascination with mystic plains was inherited through her father, because of her father’s grandmother, Feather Mae.
With her own daughter she certainly said things she herself did not believe. She refused help and seemed, to Meridian, never to understand. 4 Hurston was able, as she demonstrates in book after book, to find wise elders to further her journey to wisdom. For Meridian Hill, there is only the wind buffeting her onto the road; it is her mind alone that will seek, discover and re-create the world. Hurston, in her own authorial voice, named her journey as “dust tracks on the road,” and wrote of the journey in such a way as to keep herself veiled by her eloquence.
60, Walker’s ellipses) As Andrea Clement White degenerates from Famous Author to a character type from farce—the salty-tongued granny, the sweet old lady with the dirty mind—everything Walker was trying to say about identity, success, black pride has dissipated. We keep waiting for Walker to wink, to say that “Fame” is a satire; but it isn’t. The reader’s uncertainty about how to respond to You Can’t Keep a Good Woman Down is not dispelled by the writing style of many of the stories. Funny thing about lust: when you confuse it with love and try to write about it passionately, the result sounds curiously like parody.